Showing posts with label sound design. Show all posts
Showing posts with label sound design. Show all posts

Thursday, January 29, 2009

Soundscapes


(video link)

Music is everywhere.

Electronic Beats presents "Soundscapes"
Directed by Ace Norton
Produced by Charles Spano
Editing by Isaac Hagy
Cinematography by Hiro Murai
Sound recording and track by T.K. Broderick
Partizan Berlin

Ken Nordine Tribute


















“Ken Nordine, yea I know that guy, I heard his voice 1000 times, he’s the guy in the bus station that says “go ahead I’ll keep an eye on your stuff for you,” and you see him the next day walking around town wearing your clothes. He broadcasts from the boiler room of the Wilmont Hotel with 50,000 watts of power. I know that voice, he’s the guy with the pitchfork in your head saying go ahead and jump, and he’s the ambulance driver who tells you you’re going to pull thru. He’s the guy in the control tower who talked you down in a storm with a hole in your fuselage and both engines on fire. I heard him barking thru the Rose Alley Carnival strobe as samurai firemen were pulling hose. Yea he’s the dispatcher with the heart of gold, the only guy up this late on the suicide hotline. Ken Nordine is the real angel sitting on the wire in the tangled matrix of cobwebs that holds the whole attic together. Yea Ken Nordine, he’s the switchboard operator at the Taft Hotel, the only place in town you can get a drink at this hour. You know Ken Nordine, he’s the lite in the icebox, he’s the blacksmith on the anvil in your ear.”

—Tom Waits

Be sure to check out the tribute to the great Ken Nordine over at Uncertain Times v.ii. You might have to scroll down a bit to find the posts.

update: just enter "Nordine" in the search window and all of the posts will come up.

Monday, November 10, 2008

repost: Once Upon a Time in the West - Opening Scene

I can think of no better way to honor Ennio Morricone's 80th birthday than by reposting this awe-inspiring clip of the opening scene of Sergio Leone's Once Upon a Time in the West. Morricone's soundtrack for this film is one of his most outstanding works. Enjoy! (turn it up loud)



You brought two too many...

Ennio Morricone's score for Sergio Leone's Once Upon a Time in the West starts with the first notes of his well-known The Man with the Harmonica. The soundtrack music, in fact, starts with the first water drip you'll hear on this video. Close your eyes or turn away from the monitor and you'll experience a magnificent piece of sound design and composition.

Better to just watch and listen for the full effect, as the imagery is integral.

One interesting twist to this film, which is often overlooked, is in the casting. Charles Bronson, the protagonist, up to that point almost always played the bad guy. Henry Fonda, who plays one of the truly great movie villains, almost always was the good guy. Leone's Westerns often blurred or obliterated the line between hero and villain, but that's the way it draws out in this one. It was a subtle move on the director's part - I suspect to add to the cognitive dissonance and ambiguities that often permeate his films.

Ennio Morricone @ 80

(original post)

Friday, June 27, 2008

Once Upon a Time in the West - Opening Scene



You brought two too many...

Ennio Morricone's score for Sergio Leone's Once Upon a Time in the West starts with the first notes of his well-known The Man with the Harmonica. The soundtrack music, in fact, starts with the first water drip you'll hear on this video. Close your eyes or turn away from the monitor and you'll experience a magnificent piece of sound design and composition.

Better to just watch and listen for the full effect, as the imagery is integral.

One interesting twist to this film, which is often overlooked, is in the casting. Charles Bronson, the protagonist, up to that point almost always played the bad guy. Henry Fonda, who plays one of the truly great movie villains, almost always was the good guy. Leone's Westerns often blurred or obliterated the line between hero and villain, but that's the way it draws out in this one. It was a subtle move on the director's part, I suspect to add to the cognitive dissonance and ambiguities that often permeate his films.